Li Chen: The Beacon Series-When Night Light Glimmers

One evening in 2009, Li Chen returned from a busy day at work to his home. He lit a long unused candles on the family Buddhist altar and enjoyed the warmth of the silence, and the experience brought back memories of one of his earlier drawings titled “Illuminator.” This event was the spiritual beginnings of the artist’s current series of work. For the “The Beacon” Series, Li Chen completed just eight pieces in total. For Li lighting the lamp constitutes an act of “recuperation” and brings with it a certain ritualistic joy. Through the interaction of humanity and fire the burning of materials not only changes the environment, but a certain romantic sentimentality dances in the candlelight. As a result, ones state of mind becomes becalmed, providing an opportunity for one to communicate with oneself. “The Beacon” is far richer and more diverse than any of Li’s earlier work. It also marks the first time the artist has sculpted the human form, deliberately showcasing the characteristic of the Asian physical form. This work makes the connection between people and such high places as towers, pavilions, heavenly fire, containing objects that appear distant, but can be compared with Chinese literati’s slow wander.